The Edogawa Rampo Reader

Stories and essays by EDOGAWA Rampo

Edited and translated by Seth JACOBOWITZ


Edogawa Rampo (pseudonym of Hirai Taro, 1894–1965) is the acknowledged grand master of Japan’s golden age of crime and mystery fiction. In the early part of his career, he created the Japanese gothic mystery, developing the work of Edgar Allan Poe and related nineteenth century writers in a distinctly Japanese form. This part of his career coincided with a great flowering in Japanese literature and culture, a relatively free and uninhibited popular press being a defining feature of the times. In this context, Rampo's dark vision and extravagant grotesquery found an avid readership, and had a profound influence on other writers. Public morals tightened in the years leading up to Japan's Asian and Pacific wars, and censorship was tight in the war years. Rampo's early work fell out of favour, and he turned to adventure stories with detective characters in leading roles. After the war, he concentrated on stories for young readers, and on developing the Japan Association of Mystery Writers. The Edogawa Rampo Prize, originally endowed by Rampo himself, is awarded annually to the finest work of the year in the mystery genre. It is the most important prize of its type in Japan. Edogawa Rampo – whose name is meant to be read as a punning reference to 'Edgar Allan Poe' – remains popular and influential in Japan. His work remains in print, in various different editions, and his stories provide the background for a steady stream of film, television, and theatrical adaptations.

The Edogawa Rampo Reader presents a selection of some of his shorter works, including outstanding examples of his short stories, and a few of his more important essays. Together, they present a more accurate picture of Rampo as a major contributor to the Japanese literary scene, helping clarify his achievements to the English-speaking world.
The works included in this collection are:
I. The Fiction
  1. The Daydream (Hakuchumu)
  2. The Martian Canals (Kasei no Unga)
  3. The Appearance of Osei (Osei Tojo)
  4. Poison Weeds (Dokuso)
  5. The Stalker in the Attic (Yaneura no Sanposha)
  6. The Air Raid Shelter (Bokugo)
  7. Doctor Mera's Mysterious Crimes (Mera Hakase no Fushigina Hanzai)
  8. The Dancing Dwarf (Odoru Issun Boshi)
II. The Essays
  1. The Horrors of Film (Eiga no Kyofu)
  2. Spectral Voices (Koe no Kyofu)
  3. A Fascination with Lenses (Lens Shikosho)
  4. The Phantom Lord (Genei no Joshu)
  5. My Love for the Printed Word (Katsuji to Boku to – Shonen no Dokusha ni Okuru)
  6. Confessions of Rampo (Rampo Uchiakebanashi)
  7. Dickens vs. Poe (Dickens no Senben)
  8. Fingerprint Novels of the Meiji Era (Meiji no Shimon Shosetsu)
  9. An Eccentric Idea (Kikyo na Chakuso)
  10. A Desire for Transformation (Henshin Ganbo)



Details:
  • about xx pages
  • Trade paperback 5" x 8" (127mm x 203mm)
  • ISBN 4-902075-25-3
  • Kurodahan Press Book No. FG-J0020-xx
  • List Price: Pending
  • Cover: Pending

About the translator:
Seth Jacobowitz is currently a Postdoctoral Fellow at the Reischauer Institute of Japanese Studies at Harvard University. He received his B.A. in English literature from Columbia University (1996), and his M.A. in Asian Studies (1999) and Ph.D. in East Asian Literature (2006) from Cornell University. He was a Fulbright Fellow to Nagoya University (1996-97) and a Japan Foundation Fellow at Waseda University (2000-01). He will join the faculty in the Department of the Humanities at San Francisco State University as an Assistant Professor in Fall 2007.

Other books by this author:




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