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Speculative Japan: Outstanding Tales of Japanese Science Fiction and Fantasy |
"...the stories you'll find collected here will broaden your view of what is possible or imaginable, provoking unusual – and sometimes uncomfortable – thoughts. That is as it should be." – David BRIN, Preface
Japanese fiction has assumed a position of significance in many genres of world literature as it continues to chart its own creative course. Whereas science fiction in the English-speaking world developed gradually over a period of evolutionary change in style and content, SF in Japan took off from a very different starting line. Starting in the 1950s and 1960s, Japanese SF writers worked to combine their own thousand-year-old literary tradition with a flood of Western SF and other fiction. Contemporary Japanese SF thus began in a jumble of ideas and periods, and ultimately propelled Japanese authors into a quantum leap of development, rather than a steady process of evolution.
The result has been phenomenal. As new authors developed in this exotic environment, they invented new ways to view SF, and used the genre to form new images of themselves and their culture. The time is long overdue to present the work of Japanese science fiction and fantasy writers to the world in English. We hope this shared world of speculative fiction produces a creative feedback relationship, which can only encourage new and more stimulating visions of tomorrow.
The first book in a planned series, Speculative Japan presents a selection of outstanding works of Japanese science fiction and fantasy in English translation... and a glimpse into new worlds of the imagination. It was first released at Nippon 2007, the 65th World Science Fiction Convention in Yokohama, Japan, and then made available worldwide.
Grania DAVIS
"Judy-san – Judith Merril, 1923-1997"
David BRIN
"Preface"
Gene VAN TROYER
"Introduction: Phase Shifting"
KOMATSU Sakyo
"The Savage Mouth" translated by Judith MERRIL
HIRAI Kazumasa
"A Time for Revolution" translated by David AYLWARD
KONO Tensei
"Hikari" translated by Dana LEWIS
"I'll Get Rid of Your Discontent" translated by HATTORI M. & Grania DAVIS
ISHIKAWA Takashi
"The Road to the Sea" translated by Judith MERRIL & YANO Tetsu
YAMANO Koichi
"Where Do the Birds Fly Now" translated by Dana LEWIS
"Another 'Prince of Wales'" translated by David Aylward
"The Flower's Life Is Short" translated by Judith Merril & YANO Tetsu
OHARA Mariko
"Girl" translated by Alfred BIRNBAUM
TSUTSUI Yasutaka
"Standing Woman" translated by Dana LEWIS
HANMURA Ryo
"Cardboard Box" translated by Dana LEWIS
YANO Tetsu
"The Legend of the Paper Spaceship" translated by Gene VAN TROYER
KAJIO Shinji
"Reiko's Universe Box" translated by TOYODA T.
KAWAKAMI Hiromi
"Mogera Wogura" translated by Michael EMMERICH
YOSHIMASU Gozo
"Adrenalin" translated by the author & Marilyn CHIN
SHIBANO Takumi
"Collective Reason: A Proposal" (non-fiction) translated by Xavier BENSKY
ASAKURA Hisashi
Afterword: "From Vertical to Horizontal"
Grania DAVIS
Editor's afterword: "Translator as Hero"
- viii + 296 pages
- Trade paperback 5" x 8" (127mm x 203mm)
- ISBN 4-902075-26-1
- Kurodahan Press Book No. FG-J0021-L17
- List Price: US$20.00 (US$15.00 preview price at Nippon 2007 until Sept. 4)
- Cover: Katoh Naoyuki
Gene van Troyer
. . . was born and raised in Portland, Oregon. He has been writing poetry and science fiction since he was about 13 years old and began selling it professionally when he was around 20. He joined Science Fiction Writers of America as an active member in 1971, and has been a member continuously since. In 1973 Fred Pohl helped him connect with Shibano Takumi, and when he came to Japan in 1974 as an exchange student at Waseda University’s International Division, Shibano introduced him to the Nihon SF Honyaku Benkyo-Kai, after which he became a translation consultant to such translators and writers as Yano Tetsu, Shibano, Asakura Hisashi, Ito Norio, Imaoka Kiyoshi (Hayakawa SF Magazine editor at that time), Sako Mariko, Otani Jun, Fukami Dan, and many others. From 1975 through 1980 he had a regular critical review column of American science fiction in SF Magazine’s “SF Scanner” section, and continued to write reviews for SF Magazine through 1994. His own fiction and poetry has appeared in Eternity, Vertex, Last Wave, Amazing Stories SF, and Asimov’s SF. He is a past editor of Portland Review, a literary journal published by Portland State University, and Star*Line, the Journal of the Science Fiction Poetry Association. Most recently, he edited Collaborations: A Collection of Collaborative Poetry published by Ravenna Press in Seattle, Washington (2007). He presently lives in Urasoe City, Okinawa Prefecture, Japan.
Grania Davis
. . . is a respected author and editor of science fiction and fantasy. In addition to her highly-regarded fiction, she has edited the posthumous work of the late, great Avram Davidson. She was introduced to Japanese science fiction in the early 1970’s by Judith Merril, who welcomed her as a co-editor for a projected anthology of JSF, and during 1979-80 she was resident in Zama, Japan, where she worked with members of the Nihon SF Honyaku Benkyo-Kai on a number of translations for the anthology.
Her novels include The Rainbow Annals (1980), The Great Perpendicular Path (1980), and Moonbird (1986); and in collaboration with her former-late-husband Avram Davidson, Marco Polo and the Sleeping Beauty (1988), and The Boss in the Wall: A Treatise on the House Devil (1998).
She co-edited (with Henry Wessells) Avram Davidson’s posthumous Vergil Magus novel, The Scarlet Fig: Or Slowly Through a Land of Stone (2005). Her Avram Davidson anthologies include the award winning The Avram Davidson Treasury (with Robert Silverberg, 1998), The Investigations of Avram Davidson (with Richard A. Lupoff, 1999), Everybody Has Somebody in Heaven: Essential Jewish Tales of the Spirit (with Jack Dann, 2000), The Other 19th Century (with Henry Wessells, 2001) and !Limekiller! (with Henry Wessells, 2003). Her short stories have appeared in numerous science fiction magazines, original anthologies, and best of the year collections. She grew up in Milwaukee and Hollywood, California, and has lived and worked at various times in bustling New York; on the slopes of volcanoes in Amecameca, Mexico and more recently in Rotorua, New Zealand; on a sandbar in Belize; in a Tibetan refugee settlement in the Indian Himalayas; near neon-lit Tokyo, where she worked as a military historian; and at the beach on North Shore, Oahu, Hawaii, where she graduated from the University of Hawaii.
She currently lives in San Rafael, Marin County, California, with her family and cats, where she is working on a collection of her own stories, and editing and publishing Avram Davidson’s immortal literary estate.